Reviewing Godaddy Hosting And Domain Registrations

Overview: Today we will be reviewing GoDaddy hosting and domain registrations. We will state why our readers should and shouldn’t use GoDaddy and if they choose GoDaddy is the choice for them they can receive a discount by using our affiliates banner listed at the end of this article. The following article is influenced by personal reviews from friends and staff alike. Why should you use GoDaddy Hosting? Affordable Starting Prices GoDaddy has very affordable hosting starting prices as low as  £0.99 Per Month, however hosting renewals go upto  £4.99’a month usually if not higher! GoDaddy also offers buy one year get one year free domain discounts or promotions such as  £0.99 for the first year on net/com/co domains on a frequent basis.†¦show more content†¦However, in the rare instance GoDaddy goes down because of someone else’s website receiving to much traffic, your website will also go down. This is caused by GoDaddy hosting the majority of customers on large overused mega server, this of course causes issues when the server gets overloaded which is a pretty likely scenario. Optimises Latest Technology GoDaddy optimises some of the latest technology including PHP 7.0 and MySQL 5.5, although it is difficult for customers to change PHP Versions. GoDaddy provides very minimal customer service for advanced technical issues such as broken databases or issues connecting to server sided databases, this may be a issue if your not tech-savvy. Why shouldn’t you use GoDaddy Hosting? Bad Customer Service GoDaddy provides bad customer service and the majority of complaints regarding GoDaddy is either because of the difficult to use user interface or bad customer service. Overpriced Renewal Fees GoDaddy charges much higher renewal fees than its competitors and customers who purchased contracted services with GoDaddy are unwittingly forced to pay the† in some cases extreme renewal fee hikes. Limited Payment Methods GoDaddy accepts PayPal, Credit Card, Debit Card Wire Tranfer for most products and services. However, GoDaddy doesn’t accept PayPal which is the most commonly used payment method on any products with any kind of

The Media Image Of Women - 844 Words

The way the media depicts women also categorizes which sports are female friendly and which are not. The more the media portrays women as delicate and skinny the more people will associate them with certain sports. Likewise for men, the more physical contact and tough a sport is then it is more associated with men. The way these sports are covered in the media, the language used when reporting it and the visual aspects of how it is displayed subconsciously causes people to assign genders to the sport. This is seen in sports such as gymnastics. It is considered a feminine sport and therefore only women should be participating in it. If a man did decide to do gymnastics or figure skating he is presumed to be gay. With that being said the only time women get the most attention is during the Olympics. Specifically, when they air those feminine sports is when they receive the most amount of exposure in the media. â€Å"Therefore, the only sports in which women may be expected to receive equal (or greater) production treatment as men are the sliver of sports considered feminine, such as gymnastics or figure skating† (Greer, Hardin, Homan, 2009, p. 185). A part of this reason is because some of our top competitors in the Olympics (China and Russia) have very strong gymnastics and figure skating teams. Naturally, everyone wants to see America beat another country in something they are stereotypically supposed to be good at. This causes an increase in viewership for theseSh ow MoreRelatedThe Media Image Of Women1129 Words   |  5 Pagesdebate over the Caitlyn Jenner story, a media icon that has recently transitioned from being male to female. Although she is, in fact, the most famous trans person of our time, the media’s portrayal of her as a naturally glamorous trans woman, distorts the image of what it actually is like to be transgender. The trans community have expressed their opinion on the topic stating Jenner is not an accurate example of the lifestyle experienced by most trans women. The National LGBTQ Task Force statesRead MoreThe Media Images Of Women1785 Words   |  8 PagesKelsey Drevyn Dr. S. Dutt WGS 305 16 February 2016 A Small Presence Hiding in the Big Picture: Media Images of Women Even inadvertently, we absorb over 34gbs of data per day on average, according to a recent study by the University of California San Diego (Short, 2012). We spend most of our day consuming media images, whether we mean to or not. Every sign we pass, each magazine we happen to glance at the cover of, our friends’ and strangers’ Instagram posts, and Facebook ads and articles frame aRead MoreNegative Body Image of Women in the Media2325 Words   |  10 PagesEffects on Women Based on Portrayals of Hollywood Women Today media ranges from television to newspaper articles. Many in society do not realize the negative effects that the media portrays to young women. Young women are more susceptible to these negative side effects resulting in low self-esteem, eating disorders, or depression. Media projects images of women that have been surgically or technologically edited, these projections are causing negative effects. These unrealistic women have aRead MoreMedia And Women s Self Image Essay1851 Words   |  8 PagesMEDIA AND WOMEN’S SELF-IMAGE This paper will discuss the view that the media generally has a negative impact on the self-image of women. The evidence to support this view has been provided by the arguments of women writers and the findings of empirical studies over the years. Media representations present an ideal for female appearance and behavior. Women, especially those who are young and impressionable, accept this seemingly authoritative ideal and develop a negative self-image when their ownRead MoreMedia Influence On Women s Body Image1688 Words   |  7 Pagesperfect body image has changed in many ways. This is very evident in the female sex, especially through media. â€Å"Americans spend about 68 hours per week exposed to various forms of media† (US Census Bureau 2009). This media exposure through outlets such as t.v., radio, music videos, movies, and the internet, all influence the way people think about gender. The media influence is very evident in the way people view women and think about women in different cultures. Media influence on women creates negativeRead MoreThe Effects Of Media On Women s Body Image1242 Words   |  5 Pagesinfluence of the media on all aspects of culture and society has been a issue around the world. One of the social cultural aspects particularly influenced by the media is body image. A surprisingly large number of individuals, the majority of which are young women, develop their body image in with the ideas advanced by the media, which judge women’s attractiveness based on how thin they are. Body-image plays a very important role in our individualistic society. Modern beauty image standards whichRead More Media Affects on the Self- image of Women Essay916 Words   |  4 Pages Media Affects on the Self- image of Women When you first glance at this article, you might say to yourself â€Å"I know what women in the media is about, its stereotypes and sexism.† What you probably don’t know is that however subtle, these visual cues are affecting women individually and collectively, in how they view themselves and other women. Relationships are a fundamental aspect of women’s behaviorism and advertising exploits this. It turns people into objects and offersRead MoreThe Effect Of Media On Women s Body Image Essay2058 Words   |  9 PagesEffect of Media on Women’s Body Image In this paper, the belief that the media has a negative effect on the body image of women will be discussed. When a woman sees a representation of the â€Å"ideal body† on advertisements on television, magazines, or social media, they compare it to their own bodies, and when their bodies fail to resemble those seen in the media, a negative body image and negative self-esteem is developed. The issue is that what is seen in the media is unattainable. The media primarilyRead MoreHow Media Affects Women Body Image1924 Words   |  8 Pages　How media affects women’s body image Mass media is designed to reach large audiences through the use of technology. Its purpose is meant to give information we need to function as a society. Mass media is everywhere; there is no escaping from it. From the moment you wake until you fall asleep you are confronted with media. Almost every home in America has at least one television, access to the internet, and cell phones. Someone cannot drive down the highway without seeing billboard signs. CheckingRead MoreMass Media Affects Women s Body Image Essay873 Words   |  4 PagesMass media affects women’s body image in many ways. â€Å"Media images of ridiculously thin women are everywhere- television shows, movies, popular magazines† (Farrar). Starting at a very young age, girls are exposed to media suggestions about what the â€Å"ideal† female body image should be. â€Å"Concern over weight and appearance related issues often surface early in females’ development, and continues throughout the l ifespan† (Serdar). Teenagers often see celebrities, fashion models, and show hosts as role

Visual Techniques of the Language of Tourism free essay sample

These materials usually contain textual descriptions, pictures, maps, animation and video. Print advertisements include those in magazines, newspapers, tourism brochures and flyers. They are filled with textual descriptions, pictures, maps, lists of attractions, accommodations and restaurants. These elements, including design elements such as text font, page layout, and background colors, work together to create the overall image of the destination in the tourist’s mind. The predominant promotional form in destination marketing is the brochure. The brochure reaches the most potential customers, so many think that the â€Å"physical value† of an attractive brochure can not be replaced by other forms of communication (Middleton 1990: 182). The most important purpose of the destination brochure is informing and promoting. It serves as a substitute for the destination until the moment of arrival in a tourist resort. The brochure should be easy to read and attractive. It contains not only a verbal message, but also pictures as a very strong means of communication. As the old saying goes, â€Å"seeing is believing†. Images indeed play an important role in convincing people to visit a certain place. Acting as stimuli to the readers’ minds, images help build new prediction and reinforce the relevant existing predictions. The tourism discourse images are highly selective and mostly emphasize only the positive aspects. According to Crawshaw and Urry (1997, 198) report that the professional travel photographers they interviewed â€Å"generally agreed that their work involved selecting, shaping and structuring elements of the physical environment to reflect mental images†. According to Crawshaw and Urry (1997,189), the essential consideration for photos which would sell to tourists and tourism clients are ‘viewpoints’, ‘pleasing subjects’, ‘the right conditions’ (e. g. good weather days) and ‘good lighting’. And this is all due to the promotional character of the tourism. Through amplifying the beauty and desirability of the scenery and stripping it of unfavorable circumstances (e. g. bad weather and low visibility), photos in travel brochures are often â€Å"romanticized†. And as such they create a vision in the tourist’s mind and perspective of what pictures to take with their own cameras when they go to that destination. Will they be satisfied or not that is a question of time. An important aspect of visual discourse analysis is the reliability of the image, which is termed â€Å"modality† by Kress and van Leeuwen (1996, 160). They define the term as â€Å"the truth value or credibility of (linguistically realized) statements about the world†. Although the concept originates from linguistics, they argue that modality (i. . how reliable and true the images are) is equally important in visual communication. The higher the modality, the more reliable or true it is. Kress and van Leeuwen (1996, 161) point out that modality judgment is dependent on the viewers for whom the representation is primarily intended. So in the case of travel brochure, it’s the tourists’ perception (instead of the locals’) on which the mo dality judgment is based. So in the example brochure photos that I have taken, some photos show a clear blue sky and good weather. Given that Istanbul (Turkey) is notorious for its high air quality and such a beautiful sky can often be seen, than we are not talking about â€Å"romanticized† photos, which are far from the truest visual representation of reality (â€Å"the one that comes closest to what one would see if one were on the spot in person to see it†, given that all other things being equal). There may also exist a mismatching between photos and text, or as Elgin (1993, 62, 72) puts it in a sociolinguistic context between the body language (i. e. hat we see) and spoken language (what we read), and this is related to credibility medium as to trust body language or verbal behavior. But, no matter what versus opinions exist, we can not deny the crucial importance of visual promotional material. And this is also emphasized by the fact that up to 75% of the brochure material is taken up by picture and where only 15% of people bother to read the body copy. These facts highlight the significance of visual messages. Now let us proceed with the visual techniques in their predominant form: 1. Color 2. Format 3. Visual cliche All of them discussed through the destination chosen, that is Istanbul. 1. Color It is said that a picture is one thousand words. The distressing point is that, if you don’t pre-test the pictures you use in your brochure it can be the wrong one thousand words! In promotional literature pictures usually take up over twice as much space as verbal messages. The predominant colors are blue and white. The sea is always intensive azure, the sky bright blue and the sand white. There is the predominance of vivid and warm colors as to create the feeling of tranquility. As we are going to see even in the brochures of the destination I have chosen there is little use of black and white photos and in the cases when is done it emphasizes the contrast of the image in the colored form and black and white form. The non-urban environment including landscapes and nature it is the green color that dominates. Multiple colors attract attention. Nevertheless, effective brochures can be designed in one ink color by using attractive paper, clean line art, and sharp black and white photos. Good photos and art will direct us to the message. Short blocks of text related to the photos create a stronger message than contrasting images. There are not cases when it is written about the serene lake and then it is shown a picture of a stormy lake with whitecaps. Tour operators are aware of the power of colors and they exploit it to the maximum. The same happens with the Istanbul brochures as the pictures will clearly define what I have previously said. Here we have the image of Blue mosque contrasted in colors: the blue bright sky and the black and white version. The blue see and the blue sky without any clouds at all. Turkey’s cultural, political and economical capital is a fusion of old and new; tradition versus modernism. It’s where the East meets the West, where the Bosphorus Straight splits Europe and Asia. One of the most beautiful places I’ve seen in Turkey, Dilek Yarimadasi National Park is located in the region of Kusadasi and Soke, in the province of Aydin. The park can be reached via the Kusadasi – Soke highway. As the weather was fantastic we took a motorbike from Selcuk and spent a great time in the park. Glen Coe There were plenty of images displayed in the brochures, of what I have stated beforehand and it was easy to notice that different official sites of the ministry of tourism made little use of monochrome pictures and photos in their travel brochures. This explains the effectiveness of color photographs and the eye contact view with the tourist. 2. Format The second visual technique is that of format, which has to do with: a. Placement b. dimension c. shape d. content e. structure of the promotional material. . Placement of pictures and photos in relation to the text or spoken language vary. And in my case study there are presented all of the possible forms. But always to support what is to be shown. When the importance is to be given on the text than the text is highlighted and vice versa. To better illustrate lets see the page brochures. b. The dimension which falls under the format technique has to do with the size of the picture and the place it occupies in the brochure in relation to the text, which of the two wins primary importance. That in our case it is the picture. In this case of page brochure there is equal proportion displayed between text (spoken language) and the photographs (body language). Here again the emphasis is placed on the picture but the text has a double effect, because it informs and saves space. c. Shape It is discussed and further reached to a conclusion according to Febas Borra (1978, 97) that among picture and photo shapes including rectangular, square, circular, oval and triangular , it is the rectangle that predominates followed by square in the second place. Within this rectangular framework, there are two traditional subtypes: the Italian style photograph (with a longer horizontal side) mostly reserved for landscapes and the French style photograph (with a longer vertical side), that is retained for portraits, castle battlements, etc. Whereas the other configurations are very rarely used, and only seem to appear in specialized publications in order to achieve special effects. In the Istanbul brochures we can notice a number of circle and oval shape pictures to that extent that we don’t get surprised from their use. And then of course the greatest number is occupied from the dominant shapes of rectangle and square. Cultural images are displayed through square and triangular French style shape. d. Content Dilley (1986: 60) finds that brochures allocate approximately 32 % of their space to landscapes, 36 % to culture and 16 % each to recreation and services. So as we see the greatest percentage is for history, art, and local people then comes the landscape of coasts, mountains, rural and urban scenes, where the little percentage is for entertainment, sports and hotel service. Urbain(1993, 149-150) also adds the old imagery of railway lines and palm trees, followed by Febas Borra (1978) the visual register of what is old (ancient rocks, mountains, castles, churches and traditional folklore. In the Istanbul brochures dominates the importance of sights, beaches, culture, food, hotels, and traditional monuments, which are highly emphasized as attractions. This is clearly given by a collage format that features 15 pictures of attractions. Collage is a prominent feature found in the images in travel brochures.. ccording to Gold (1994, 22), it is â€Å" perhaps the most distinctive feature of place promotional advertising†. Gold (1994, 22) points out that collage typically employs â€Å"3-6 photographs of the place concerned along with a portion of descriptive text; which stands for â€Å" a visual summary of the different elements in the selling image†. The placing of several visual elements in one image often involves foregrounding of a certain element and overlapping of elements. The resulting images can hardly be seen as a true representation of reality. The prominent feature is due to dominant size. e. Structure The information needs to be presented in an order consistent with the principles of AIDA A- Attention I- Interest D Desire A call to Action This is the sequence followed to motivate customers to actually make a purchase. First the interest of the customer must be secured with a front cover which gets the attention. From there further interest is generated by the supporting text and illustrations, design, etc. This then builds the desire for more information and lastly, the Call to Action when the customer makes a decision to buy (or at least contact a Visitor Information or website for further information or make a booking). It is a natural progression. Information should be shown in such a way that travel consultants and consumers can scan it quickly. Note: Call to action This is the â€Å"Contact details† information needed by customers to respond further. 3. VISUAL CLICHE The image of a tourist destination is determined by visual cliches like blue sea, palm trees, white sand, turquoise green swimming pools, untouched landscapes, imposing sights, adventurous trips, parents and children presenting health and happiness, smiles on the faces of locals and sunshine. The facial expressions and body language of image participants (the people or objects there which stand out as distinct) or (people within the image), are very important factors to be considered. The images are selective in a way that they only feature â€Å"pleasing† participants who wear a broad smile, looking content and satisfied with their experiences. After all, this is why most people travel. Sunshine is the most used visual cliche in brochures which became synonymous with a virtual guarantee of good weather. Laurent 1967) who examines sunshine in the language of brochures finds that the sun is everywhere. It represents a source of happiness and the good life. Above all, the sun promises warmth, freedom and pleasure, it guarantees pure hedonism, provides well being and is a source of health. Conclusion In this case study I tried to shed some light on the features of tourism discourse through visual techniques: color, format and visual cliches. As a kind of advertising, the brochures aim to persuade people into buying the tourism products and services being promoted. Therefore the images used are highly selective. They present only the positive and attractive sides of the potential touristic experiences, while the negative aspects are often ignored. Through making use of hyperbole and â€Å"modified† images which are often not the truest representation of reality, the brochures portray Istanbul as an interesting and attractive place to visit. In this sense the brochure is a successful tourism marketing tool. Done well, tourism can help protect and enrich a place. Done poorly, it can ruin it. â€Å"Tourism is like fire,† goes a saying. â€Å"It can cook your food or it can burn your house down. †

Malcolm Hendrix Essays (541 words) - Discrimination, Hatred, Racism

Malcolm Hendrix The Racist Malcolm was a racist, violent Black Man. He has been an anti-white all through his previous life as he had confessed, and has remained the same even after his pilgrimage to Mecca. His thoughts and emotions deny the White man, and he still sees them as hypocrites who try to benefit from the Blacks, using Negroes as tools to enrich their lives. The influence he had received during his past years from Elijah Muhammad, and his learning of the history of the White man had so much affect on him. Although he had professed to witness to have understood the real teachings of Islam, his ideas and opinions of the Whites did not change. His preaching still focused on the Black man's plight, as he had done when he served as the Minister of the Nation of Islam. Malcolm says, " I didn't miss a single opportunity to tell the truth about the crimes, the evils and the indignities that are suffered by the black man in America (pg 351)." He simply generalizes all Whites to be evil and tells how the White men had oppressed them. He doesn't seem to realize that Whites nowadays are different from who they were before in the past. He was telling the truth, of the cruel history of the Whites, but the truth didn't apply to all Whites as he thought. If he had witnessed the spirit of true brotherhood during his pilgrimage in Mecca, shouldn't he be more open-minded, have more sympathy and a magnanimous heart towards the White people? His speeches caused the blacks to hate the Whites and commit violent crimes against them. "New York City's press was highly upset about a recent killing in Harlem of a White woman, for which many were blaming me at least indirectly (pg 365)." This shows that Malcolm was a great orator, who could unite the blacks, bur it would have been better off if he had thought more to love one another, to become one as brothers, as written in the Quran. His 'Blood Brothers' only consisted of Negroes. If we all are, as he says, the descendents of God's creation, why can't Whites as well be a part of his 'Blood Brother'? Malcolm actually says that there is only a minority of 'brotherly" white people. "Yes, I have been convinced that some American whites do want to help cure the rampant racism which is now the path to destroy this country! (Pg. 365)" He has no sympathy for other Whites than the White Muslims, and doesn't even try to compromise with them. As much as he defended the rights of the Blacks, and preached of the Whites' historical crimes, he denied the Whites and couldn't get out of his racial prejudice. How could he actually say that there was only a minority of "brotherly" white people, when he, himself, didn't even bother to socialize or integrate with the Whites in America, to get to know each of them better? Muslims of white complexions were the only people whom Malcolm considered as brothers. He did not accept other Whites as his brothers; he was still a racist to them. Malcolm denies the White people, and before accepting them as human beings, he first perceives their 'white' skin color and starts to hold a racial prejudice against them. He lies the responsibility of the Black man's sufferings on the White man unconditionally, that it is their entire fault.